Jai Simha 2018 Hindi Dubbing Rights Sold out Movie Coming Soon on SonyMax & YouTube News
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Jai Simha 2018 Hindi Dubbed Movie Download - Jai Simha Hindi Releasing date - Jai Simha Hindi Dubbing Rights Sold out
Jai Simha Hindi Releasing Date & Review - Jai SimhaHindi Official Hindi Trailer Released stars Nandamuri Balakrishna, Nayanthara, Natasha Doshi, and Hariprriya
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Jai Simha Hindi Releasing Date & Review - Jai SimhaHindi Official Hindi Trailer Released stars Nandamuri Balakrishna, Nayanthara, Natasha Doshi, and Hariprriya
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Jai Simha (2018) Telugu Action Drama Movie released in Telugu language in theatre near you. Watch Jai Simha (2018) Telugu Movie Trailer Online, Audio Jukebox, Wiki & Know about Film Release Date, lead cast and crew like Hero, Heroine, Film director, photos & video gallery.
Jai Simha is a Telugu, Action film, produced by C. Kalyan on C. K. Entertainments banner and directed by K. S. Ravikumar. Starring Nandamuri Balakrishna, Nayanthara, Natasha Doshi, Hariprriya in the lead roles and music composed by Chirantan Bhatt. The film shooting began on 3rd August 2017 at Ramoji Film City.The first look poster along with motion picture released on November 1st 2017. The movie is planned to release, January 2018 on eve of Sankranthi.
STORY: Narasimha (Jai Simha) is a man on the run with his one-year-old son. He reaches Kumbakonam and stays at the house of the village temple’s dharma karta’s house. But while there, he bumps into Gowri (Nayantara) who seems to dislike him for some reason, despite being his childhood friend. A death row inmate Rami Reddy (Ashutosh Rana) also seems to hold a grudge against Narasimha. Who is Narasimha and what did he do to make so many enemies?
REVIEW: ‘Jai Simha’ is not a love story nor is it a family drama. It is purely a film made to elevate Balakrishna and his character Narasimha. His character and larger-than-life persona even overshadow the plot that seems right out of a retro film. This is Balayya’s film through and through, and there’s simply no space for anything else.
Narasimha is a do-gooder rowdy with a golden heart, who only beats up people when it serves a greater good. His character has taken it upon himself to be the saviour of Visakhapatnam, the city he resides in, and punish those who sin. The rapists, murderers, abusers, even the medical mafia all get what they deserve, all thanks to him. A man like that is unlikely to be left without making an enemy out of the wrong crowd. But his character’s most admirable trait is his unselfish and sacrificial love for Gowri.
The first half of ‘Jai Simha’ sets the pace for the film well, making one curious to where this is all heading. But post-interval, the film takes not just a predictable path, but also a borderline nonsensical one. Brahmanandam is a delight to watch on-screen, even if the comedic track seems forced in an otherwise serious film. The song ‘Ammakutti’ draws wolf-whistles from the crowd, for Balayya’s moves and the massy lyrics, but the rest of the songs are lukewarm. ‘Jai Simha’ is good for a one-time watch, and is purely just for the ‘Jai Balayya’ fans.
STORY: Narasimha (Jai Simha) is a man on the run with his one-year-old son. He reaches Kumbakonam and stays at the house of the village temple’s dharma karta’s house. But while there, he bumps into Gowri (Nayantara) who seems to dislike him for some reason, despite being his childhood friend. A death row inmate Rami Reddy (Ashutosh Rana) also seems to hold a grudge against Narasimha. Who is Narasimha and what did he do to make so many enemies?
REVIEW: ‘Jai Simha’ is not a love story nor is it a family drama. It is purely a film made to elevate Balakrishna and his character Narasimha. His character and larger-than-life persona even overshadow the plot that seems right out of a retro film. This is Balayya’s film through and through, and there’s simply no space for anything else.
Narasimha is a do-gooder rowdy with a golden heart, who only beats up people when it serves a greater good. His character has taken it upon himself to be the saviour of Visakhapatnam, the city he resides in, and punish those who sin. The rapists, murderers, abusers, even the medical mafia all get what they deserve, all thanks to him. A man like that is unlikely to be left without making an enemy out of the wrong crowd. But his character’s most admirable trait is his unselfish and sacrificial love for Gowri.
The first half of ‘Jai Simha’ sets the pace for the film well, making one curious to where this is all heading. But post-interval, the film takes not just a predictable path, but also a borderline nonsensical one. Brahmanandam is a delight to watch on-screen, even if the comedic track seems forced in an otherwise serious film. The song ‘Ammakutti’ draws wolf-whistles from the crowd, for Balayya’s moves and the massy lyrics, but the rest of the songs are lukewarm. ‘Jai Simha’ is good for a one-time watch, and is purely just for the ‘Jai Balayya’ fans.
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